东方山水画写意精神不可言说的曼妙与神性|东方市_新浪财经

转自：CGTN

【东方山水画写意精神不可言说的曼妙与神性】《层岩丛树图》是五代宋初画家巨然创作的一幅绢本墨笔画。董源与巨然并称“董巨逸轨”，代表着中国山水画在造境中形成的高妙境界。巨然的《层岩丛树图》是如何处理画作的开合，以“从虚到实，再到高远的虚”，这种四两拨千斤的状物手法来呈现山峦气象与祥和境界的神性的？古人“浑然不见笔墨痕”的状物呈现手法对后世有着怎样的深远影响？中央美术学院教授丘挺，为您解答。StoriedMountainsandDenseForestsisaninkpaintingonsilkcreatedbytherenownedartistJuRanduringtheFiveDynastiesandearlySongDynasty.DongYuanandJuRanarecollectivelyreferredtoasthe"Dong-JuPaintingSchool."ThistermrepresentsanexquisiterealminChineselandscapeandinkpainting.HowdidJuRan'sStoriedMountainsandDenseForestsmanipulatethecompositiontopresentthedivinetranquilityandmajestyofthemountains?Howdidtheancienttechniqueofpresentingobjectswithoutvisiblebrushmarksprofoundlyinfluencelatergenerations?ProfessorQiuTingattheCentralAcademyofFineArtsprovideshisinsights.#入画##千年调宋代山水花鸟#数字特展入口：